L’nique Noel, Post Coital, Acrylic on canvas, 30” x 23”, 2019

Based on a research study of Zimbabwean women who brew plants into tea to utilize it as a form of contraceptive. These plants found in the painting are dwarf marigold flowers, Chinese lanterns, snowberries, and buffalo thorn. This painting is a commentary on my own positionality in relation to global medicinal practices. As an American woman, Noel views contraceptives through the lens of western medicine which relies heavily on chemicals as opposed to the more natural approaches as seen in the ways Zimbabwean women go about preventing pregnancy such as brewing teas and tying tree roots around their waists. She feels as though that would not work.

L’nique Noel, Little Shop of Horrors, Acrylic on canvas, 20” x 20”, 2020

Plants and flowers are usually seen as beautiful things used to decorate or given to a loved one but many are poisonous and carnivorous. These deadly plants and flowers are found throughout the earth. Psychologically, the color pink creates a calming and reassuring effect. The pink background creates a sense of safety and warmth although this pink is covered in blood splatter and lethal plants.

L’nique Noel, Bahamas, Columbia, Cuba, Haiti, Mexico, Painting, Collage, Print, 2021

Based on the five main ethnic groups found in Coral Gables and the great Miami area. The plants used and collaged are of the native plants and animals found in the country listed as the title of the work. As someone of Caribbean descent and an anthropology minor, Noel finds highlighting cultures to be important in both art and the formation of cities because it shapes both.

L’nique Noel, Poppy Milk, Acrylic on canvas, 16” x 12”, 2021